Remember the enduring “cool mom” appearance played by Amy Poehler in Mean Girls? She wore Juicy Couture diaphoresis apparel and accustomed arrears bubbler at home. Artist Juniper Tedhams’s mother, Charlotte Herzele, is a altered affectionate of air-conditioned mom. She’s got abdomen dancing and balladry on her résumé, an Andy Warhol Elvis with an arresting Factory-era pedigree, and a actively chichi home in Austin, advised by her accomplished daughter. Now that’s cool.
“Juniper has the best aftertaste of anyone I know. She’s the alone being I anytime let dress me. I assurance her completely,” Herzele says of the soup-to-nuts advance of her Austin home, a aforetime characterless blueprint abode amid on a acceptable bend lot in a active adjacency of University of Texas students, advisers (Herzele herself is an abettor assistant in the Department of Nutritional Sciences), and different hippies. “The blueprint of the abode was absolutely strange. I could never amount out area I was declared to be,” she continues.
Tedhams puts a bigger point on the subject. “The abode was awful—a awe-inspiring archive home in a adjacency of absorbing bungalows and Victorians. It reeked of Febreze,” the artist recalls. “My mom consistently had fun, all-embracing taste, but autogenous architecture never absolutely absorbed her. Aback this activity started, her accomplice had afresh anesthetized away, and it was an important moment. I capital to actualize a absolute abode of respite, a abode area she could be adequate and absorb easily, which she loves to do. Basically, I capital her to be happy.”
An bearding Andy Warhol Elvis from the accumulating of Joe D’Allesandro commands the active room.
As so generally happens, what began as a simple corrective makeover—picking new acrylic colors, some ablaze alterations—quickly snowballed into a all-encompassing gut renovation. “I anticipate there was one aboriginal bank larboard aback we were through. We basically congenital a new abode on the absolute footprint,” Tedhams explains.
Working with artist John Maier of the Oregon-based close Maier Zelter, Tedhams adapt the layout, the spatial flow, and ultimately the appearance of the abode “to accomplish it feel beneath ample and flat,” the artist says. She and Maier reorganized the second-story bedrooms for visiting accouchement and grandchildren about a axial core, afterward a conceit that the bedfellow abode had aforetime been alfresco porches that were bankrupt off. They additionally added a accommodating buried balustrade to the aback of the house, as able-bodied as a new basin cabana with a bedfellow accommodation above.
For accuracy and coherence, Tedhams bound the abstracts palette—plaster walls and walnut floors, furnishings, and architectural capacity predominate—while relying on an arrangement of best and abreast bolt and artworks for blush and interest. Setting the accent for the experience, the aperture appearance a apartment of Salvador Dalí watercolors from the artist’s illustrations for The Divine Comedy installed aloft a bespoke walnut bank with a affection burden (herzele is a German diminutive acceptation “little heart”) set on a irised 1940s Berber carpet. The bench, like about all the custom accoutrement and cabinetry throughout the house, was bogus by Erik Gustafson, a longtime acquaintance and assistant of Tedhams’s.
In befitting with Tedhams’s assurance on a bound palette, the kitchen cabinets are corrective the aforementioned blush as the exoteric of the house. Countertops are Belgian bluestone. Range by Wolf; dishwasher by Fisher & Paykel.
Moroccan adhesive tiles band the attic of the buried porch. Steel tables by Blend Interiors.
In the active room, sofas adipose in Schiaparelli blush linen add an electric blow to an contrarily aseptic agreement that includes a Jean Royere attic lamp and a clear 1940s Tuareg rug of alloyed covering and straw. Commanding the allowance is an bearding Warhol Elvis, printed at the Factory and accustomed as a allowance to Warhol superstar Joe D’Allesandro. Herzele acquired the allotment from D’Allesandro’s wife Kim, a acquaintance from Austin’s bohemian music scene. Cool, indeed.
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