Lennie Omalza, Appropriate to Courier Journal Published 7:03 a.m. ET Oct. 1, 2020
Chee Hamilton was active in Prospect back she began her chase for a new home.
“I lived out there for three years,” she recalled. “It was aloof too far out, so I started looking, and this abode was for sale. (I saw it) and I said, ‘That’s it. That is my dream house.’”
Hamilton fell in adulation with the huge Kentucky coffeetree out front and knew the comfortable little cottage in Louisville’s Belknap adjacency was abounding with potential.
Most of the home’s autogenous was a abysmal green, and the kitchen cabinets were a arid amber — all of it was abundant too aphotic for Hamilton’s taste.
“I could see aloft what bare to be done,” she said. “The aboriginal affair I did was acrylic aggregate white. It’s a (Benjamin Moore) blush alleged Mayonnaise.”
Once the abode was brightened up a bit with a beginning covering of paint, Hamilton brought in alike added ablaze by removing all of the blinds and inserting bottle into the aboriginal kitchen chiffonier panels. She additionally added LED lighting to brighten appropriate items about the space.
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Those admired pieces that are displayed in her adapted kitchen cabinets are all allotment of her all-encompassing accumulating of dejected and white pottery, which is featured throughout the home.
“I’ve never gotten annoyed of it,” she said with a laugh, answer that the accumulation is an array of items she has been acquisition for decades. “I accept some old pieces that are valuable, and again I accept some from (hardware stores), and it doesn’t amount to me. If I like it, I like it. I’ve had dejected and white my absolute developed life.”
Her accumulating is all over the cottage. From plates blind on the bank aloft her bed to a set of canisters on the kitchen counter, dejected and white can be apparent in every bend — but it isn’t alone in the anatomy of pottery. Hamilton’s upholstery, bedding and window coverings additionally chase the aforementioned blush scheme. She credits abounding of her architecture account to books by the backward Charles Faudree, a well-known, Tulsa-based autogenous designer. As for absolutely active the attending in her home, she enlisted the advice of the aggregation at Tassels, a altered autogenous architecture store in Middletown.
“I begin all these patterns that I liked,” she said, “and (the Tassels designers) said, ‘let’s use them all’ — so we did! I anticipate there are 11 altered dejected and white patterns.”
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In accession to the basement, there’s alone one added breadth of Hamilton’s home that isn’t in accompany with the dejected and white affair — but it’s her admired abode to be.
“I’m a southerner. I’m originally from North Carolina, and we adulation our buried porches, because that’s breadth you live,” she said. “This is breadth I absorb a lot of time.”
Though Hamilton’s screened-in balustrade is a altered blush than the blow of the abode — Forest by Behr, to be exact — the abstraction for the amplitude came from a dejected and white architecture book.
“I got the abstraction out of one of my dejected and white books from Carolyne Roehm,” she explained. “She’s accepted for her dejected and white, but she had corrective her garden allowance this aphotic green.”
Hamilton added the amplitude with chairs she begin at altered aged stores, as able-bodied as an alfresco dining set from Redefine Architecture on the Avenue. In excellent action and already corrective green, it was a absolute bout — just like Hamilton knew this little Belknap cottage was for her.
“I adulation this house,” she gushed. “It’s like my little dream appear true.”
Owner: Chee Hamilton, who is a retired registered nurse.
Home: This is a 2-bed, 2-bath, 2,100-square-foot, colonial cottage-style home that was congenital in 1930 in Louisville’s Belknap neighborhood.
Distinctive elements: Architectural updates; aforementioned acrylic blush throughout active room, dining room and kitchen to enhance accuracy and highlight accumulating of dejected and white plates and accessories; Ralph Lauren fabrics in assorted patterns to present cozy, brittle appearance; aged grandfathering clock; kitchen chiffonier doors with bottle inserts to affectation advanced accumulating of dejected and white dishes, as able-bodied as LED lighting to accommodate added light; assiduity of dejected and white affair in the bedroom, with baby sitting breadth featuring aged secretary; aboriginal balk floors throughout; red and white Hermes plates, oriental rug, blind with beaded trim and artwork from contempo cruise to Paris in bathroom; attic bedfellow allowance with dejected and white bracken blade wallpaper on ceiling, dejected and white bobcat bedding and cubbies with fleet grass bolt wallpaper; den/TV allowance with accumulating of aged pewter in floor-to-ceiling bottle cabinet and artwork of locust bracken and “My Old Kentucky,” as able-bodied as several pieces by bounded artisan Nancy Wenzel; agriculture abounding of hostas, hellebores, ajuca and bit-by-bit jenny; backyard art including Scarlett, a accurate angel called afterwards a acreage artisan in eastern Kentucky; large, 33-year-old Kentucky coffeetree in advanced yard.
Applause! Applause! Kevin Coleman, Debbie Gaines and Ray Croft at Tassels; Peggy Sullivan, who nominated Hamilton for Home of the Week; and Katie Lamb, Hamilton’s longtime acquaintance who provided consultations and bulb cuttings.
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