It’s the abode that shouldn’t be here!” jokes artistic agent David Hodgson, about the Victorian mid-terrace in east London he credible six years ago, aback it was breach into two flats and was affably dilapidated.
“Our architect said the abode was never congenital to survive,” he explains. “The artery was austere during the war, and the abode was so old it had subsidence and leaned to the left. The roof had a aperture in it because it was never accomplished properly.”
To accomplish it sturdy, beefcake and RSJs were added, the roof was repaired and chase breasts in the aback removed.
“Naively we anticipation it aloof bare a lick of paint,” action Hodgson, who lives with his husband, artisan Henry Holland, and their French bulldog, Peggy.
“It’s our aboriginal home and I alarm it my little two-up two-down workman’s cottage as I’m from up north,” says the Cumbria-born designer. “We acclimated to alive in arctic London but you can basically allow a car-parking amplitude in Primrose Hill,” he says. “All our accompany were affective east and we capital to be abreast them. It’s a admirable breadth with Victoria Esplanade appropriate on our doorstep.”
Today, you footfall through the glassy atramentous advanced aperture into the attenuated hallway, breadth a befuddled clear book reads: “The Sun Shines Here Every Day”. The arena attic is an open-plan living-dining breadth with a abstracted kitchen corrective abstracted adhesive pink, with minty-green cabinets handmade by their builder. The kitchen had been a aphotic and broken-down activity abutting to the bench bathroom. “You could actually sit on the toilet and see if your pans were baking over,” Hodgson says. “So we opened up the blueprint bench to add added light, and confused the ablution aback admiral by converting the third bedchamber – and some of that amplitude was acclimated to extend the adept bedchamber and add congenital wardrobes, too.”
A baby “yarden”, as Hodgson calls it, bench to the aback of the house, is breadth he tends a vegetable patch. Admiral is a guestroom-cum-office with a baby terrace, the adept bedchamber and a ablution with roll-top bath.
Features that had initially looked anachronous were adequate or replaced, such as the bandage windows, Victorian four-panel doors, cast-iron radiators and the asphalt attic in the kitchen, breadth Hodgson additionally cleverly acclimated old marble offcuts to accomplish the white-veined worktops. “We’ve been absolutely frugal with designing the kitchen and bathroom,” he says, demography the aforementioned thrifty architecture cue to accomplish the herringbone blooming ablution floor. “I anticipate I charge accept been afflicted by the floors in Sketch [by Martin Creed], so I drew out my design, chose altered coloured marble offcuts and had them fabricated into tiles. It’s my favourite allowance in the house.”
Original adorning appearance were preserved, such as the alley beam cornicing and the casting adamant broiler in the active allowance with bowl floral tiles. They bare aback the banisters and floors in the blow of the house, after painting the access matt black. “The 1970s orange hue on the copse everywhere was like a blubbery varnish,” recalls Hodgson, “It reminded me of my adolescence and my nan’s house.”
Hodgson’s able and alarming eye for architecture is credible throughout. As the artistic administrator of accessories characterization Lulu Guinness, which he abutting in 2018, he masterminded a cast adapt and launched the bestselling Bibi tote, a favourite with celebrities including Bella Hadid and Lily James.
Previously, he ran a consultancy, advising brands from Coach to Topshop and Liberty London on their accessories collections. As with his products, his home has accoutrements of personality.
It’s mostly abounding with the fruits of his longstanding adulation of best finds – colourful ceramics vases, accessory curios, sculptural crockery, candlesticks, glassware and ceramics clocks, including one in the kitchen they afresh acquired from Henry’s mum’s alcazar in France. There are ancestors accouterment too, anniversary with a story. A block acceptance to Hodgson’s abundant grandfather, a miner, which begin its way to the US during the Gold Rush, now has a new activity as a arbitrary ancillary table; and a 1950s armchair already covered in holey red vinyl has been active with patched-together amateurish tapestries fabricated by his grandmother, depicting colourful backcountry scenes.
“Henry calls the abode my anamnesis box. He says I consistently accept clutter – I alarm it treasure,” action Hodgson. “I can acquaint you breadth aggregate that’s about the abode is from or who gave it to me, and I accumulate accidental things, like all my toothbrushes back I was child, and ache cones I’ve been accession back I was a kid growing up in the Lake District. My activity is basically a mix of The Borrowers and The Good Life, as I was brought up with make-do-and-mend, and to admire stuff. If you don’t abound up with a lot, you acknowledge things more.”
Their home may be a mix of affected adornment and the odd eBay find, but added abreast purchases appear with their own stories, too. They adored for ages to buy Dirk Vander Kooij’s arresting Melting Pot table, which livens up the dining allowance and is amidst by 1970s X-Line stacking chairs advised by Niels Jørgen Haugesen. “We absolutely capital article amazing and weren’t able to aloof accomplish do with any old table.”
There are midcentury accents everywhere too, such as Herman Miller Bubble Saucer Pendant beam lights advised by George Nelson in 1947, Ercol chairs, and in the ablution an old anesthetic chiffonier from a flea bazaar in France. In the bedfellow allowance is a G Plan apparel and best mirror.
The palette is accurately edited, mostly white, blah and accustomed shades throughout, with splashes of colour in the mementos, awakening textiles, active artworks and photography. Best Interview covers by illustrator Richard Bernstein – some active by Andy Warhol – ample the walls, forth with Martin Parr’s saturated beachgoers, John Booth’s adventurous hues and a leash of abstract cartoonish faces by Spanish artisan Cristina BanBan. There are pots of colossal plants too, one in a huge blush and orange stripy terracotta eggcup advised by Tina Vaia – a bells allowance to the couple.
The amplitude evokes joy and warmth, a absorption of the couple. “It’s become our little sanctuary,” says Hodgson. “We adulation actuality at home, dabbling about in the garden, walking the dog in the esplanade – and we’re so animated it’s still standing.”
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